Over at the excellent Twelve Mile Circle, Tom Howder recently wondered: where’s the smallest chunk of occupied land completely surrounded by Interstate highway? Well, if “occupied” means “residential,” the answer might be Wright Street, a stubby cul-de-sac tucked inside the looping ramps of LA’s Harbor-Santa Monica Freeway interchange:
Back in 1884, Wright Street was just another new road on the outskirts of Los Angeles. Bungalows quickly filled its freshly-surveyed lots, and as the city grew, apartments and commercial buildings soon followed. In 1954, California’s first superhighway, the Harbor Freeway, passed two hundred feet westward, and a scant seven years later, the Santa Monica Freeway encroached from the east. Construction began on the connecting ramps, and Wright winced as road workers halved its length, blocked off one end, and encircled it with concrete pillars topped by pavement.
In March 1962, with great fanfare, politicians dedicated the new interchange. With it in place, downtown Los Angeles was now completely ringed by freeways! During the festivities, Wright Street tried to point out that it had also been surrounded, and that in honor of its sacrifice, didn’t it deserve a cake, or a singing telegram, or something? But nobody seemed to care. Hrumph!
Today, of Wright’s six existing buildings, the oldest is the roaring-’20s-era Castle Hotel, long since converted to apartments that house a few dozen semi-permanent residents. There, the air reverberates with hydrocarbon flatulence, but as each car passes, the fossil-fuel-free future inches closer. Three decades past tomorrow, Wright Street will once again be living large: as a 500-foot-wide island of peace, secluded from the urban throb by arteries now coursing with bicycles and electric vehicles, each warbling a cute whizzy burble like they did in the Jetsons.
Alas, Wright Street may never see this heyday future, because, despite surviving the freeway juggernaut, its continued existence is threatened… by art, of all things. Enter northern California-based Luther Thie and his LA Interchange project, which proposes to replace Wright Street with a park, anchored by a giant fountain that changes its flow based the Highway Patrol’s accident reports, spraying highest after a pileup with a possible fatality.
It’s an intriguing concept, for sure. But public art that makes you ponder your own mortality and the potentially-negative ramifications of your toodle down the freeway? Oh-my-god-you-know, that’s like totally San Francisco.
In Southern California, the lighter and fluffier, the better. Tweak the plot so the fountain changes according to something entertaining – like the number of pounds dropped on The Biggest Loser, or which hunk got booted from tonight’s Bachelorette, or hell, make it both! Then, get your schmooze on, do a few power lunches, and bam! You’re producing the blockbuster hit of the year!
Wright Street adds that it’s not just another pretty face and directs all interested Tinsel Town execs towards its “don’t-miss” cameo role in 2009’s feature film The Soloist – a graceful pan to the left during the urban flyover shot at 15:56!
Know of another tiny residential area completely framed by freeway? If so, please do tell.